Thursday, October 27, 2011

Lady Gaga Man Look

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"Judas" has a similar sound to Gaga's previous RedOne produced tracks, as for example "Poker Face", "LoveGame", "Bad Romance", and "Alejandro", and contains three distinct hooks and a break down, influenced by house music. The breakdown also contains influences of tribal-techno and dubstep. Gaga explained that the lines spoken during the breakdown talk about her being beyond redemption, in terms of the traditional views of what a woman should be. The artwork for the single was designed by Gaga in Microsoft Word and features a black background with the word "Judas" written in red capital letters. After designing the cover, Gaga took a picture of it with her cell phone, to add further texture.
A music video for the song was filmed in early April, co-directed by Gaga and Laurieann Gibson and co-starring Norman Reedus. It has a Biblical storyline where Reedus played Judas Iscariot and Gaga played Mary Magdalene. The video portrayed them as modern day missionaries going to Jerusalem. It included the Biblical story of Judas betraying Jesus, and ended with Gaga as Magdalene getting stoned to death. Prior to its release, the Catholic League condemned Gaga for the alleged use of religious imagery and her role in the video. However, critics in general praised the video for its overall delivery and did not find anything offending about it. The video was nominated for two awards at the 2011 MTV Video Music Awards; however, it did not win in either categories. Gaga has performed "Judas" on a number of television shows, including The Graham Norton Show, Saturday Night Live, Good Morning America's "Summer Concert Series", the French X Factor as well as on The Ellen DeGeneres Show.
"'Judas' is a dance song, definitely, [...] I think 'Judas' is in the traditional RedOne/Gaga vein. It's great because it's a serious message, it's a little playful, but still serious, but still somehow you wind up dancing to it. That's what's great about her music. You know, like, my favorite songs of all time, dance songs, 'Billie Jean,' is a story you wouldn't think of singing but then you wind up dancing and singing the lyrics. I think that's the holy grail of music for me, which is dance."

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"Judas" was revealed as the name of the second single in Lady Gaga's interview for Vogue. Gaga confirmed the release of "Judas" as the second single, on Ryan Seacrest's radio show on February 14, 2011, and also revealed RedOne as the co-producer of the song. At the 53rd Grammy Awards, he told MTV News that if the previous single from Born This Way, the title track, polarized people, "Judas" was expected to shock them more. On the radio show Last Call with Carson Daly, Gaga explained to the host that "Judas" was about always falling in love with the wrong man over and over again. "'Judas' is a very, very dark song. It's rad", she added. With MSN Canada, Gaga revealed the metaphors and the meaning behind the song:

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'Judas' is a metaphor and an analogy about forgiveness and betrayal and things that haunt you in your life and how I believe that it's the darkness in your life that ultimately shines and illuminates the greater light that you have upon you. Someone once said to me, 'If you have no shadows then you're not standing in the light.' So the song is about washing the feet of both good and evil and understanding and forgiving the demons from your past in order to move into the greatness of your future. I just like really aggressive metaphors—harder, thicker, darker—and my fans do as well. So it is a very challenging and aggressive metaphor, but it is a metaphor.
Gaga further elaborated on the inspiration behind the song as walking towards the light force in her life and peering towards the devil in the back, while clutching onto the source of the light. "I sing about what a holy fool I am, and that although moments in my life are so cruel and relationships can be so cruel I'm still in love with Judas. I still go back again to those evil things," she said. During her interview with Google, Gaga added to the song's meaning as honoring one's inner darkness in order to bring themselves into the light. One has to learn to forgive themselves in order to move on with their life. With Popjustice she clarified that she has a lot of things that have haunted her from her past, including her choices, men, drug abuse, being afraid to go back to New York, confronting old romances. Hence "Judas" represented something that was bad for her, something she could not escape. Gaga said: "I keep going back and forth between the darkness and the light in order to understand who I am."

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Garibay said that "Judas" sounded similar to many of Gaga's previous singles, like "Poker Face", "LoveGame", "Bad Romance", and "Alejandro". According to Jocelyn Vena of MTV, "Judas" finds Gaga in a similar territory music-wise but vocally she is in completely new territory; according to Popjustice, in the verses and pre-chorus, Gaga hurls herself into a decadent half-sung, half-rapped Jamaican Patois style." The song contains three hooks, one is a sample loop from Vengeance Electro Essentials, titled "VEE Melody Kits 12 128 BPM Root E" and begins with Gaga singing the line "Oh-oh-oh-oh-oh, I'm in love with Judas", accompanied by building synths. This is followed by a thumping electronic beat, as Gaga sings, "Judahhh/ Juda-a-ah/ Gaga". The utterance of these words are reminiscent of the opening verse in "Bad Romance". Gaga's vocals are partially spoken, and at times have a Caribbean accent. The first verse follows as: "When he comes to me I am ready/ I'll wash his feet with my hair if he needs/ Forgive him when his tongue lies through his brain/ Even after three times, he betrays me/ I'll bring him down, a king with no crown." The tone lightens up on the song's chorus, which is influenced by '80s pop in its melody, as the beat picks up a bit and Gaga sings, "I'm just a holy fool/ Oh, baby, it's so cruel/ But I'm still in love with Judas, baby." After the second verse and chorus, the song features a break down influenced by house music. Gaga chants the lines in the same way she does in the middle of "Born This Way". Then she sings, "I wanna love you/ But something's pulling me away from you/ Jesus is my virtue, Judas is the demon I cling to, I cling to." In this section, Gaga's vocals drew comparison to that of Rihanna's by Matthew Perpetua of Rolling Stone. He also added that her voice sounded less dark and dramatic and was full of "bubbly sweetness". Popjustice wrote that the breakdown sounded like tribal-techno, and the whole song was "a turbo-charged electrogothic wrongness anthem". Dan Martin from NME wrote that the breakdown was in the dubstep genre with the chorus being "pure-pop". There were some similarities and influences of "Bad Romance" in the song, which Gaga said was deliberate. She explained that while sometimes it is important for her to push herself in new directions, she did want her characteristic sound to be imbibed in her records. "I wanted ['Judas'] to be an evolution from where I've been before but in terms of the formula I wanted there to be something about 'Judas' that reminded people of what I've done in the past," she added. According to the sheet music published on Musicnotes.com by Sony/ATV Music Publishing, the song is written in the time signature of common time, and is composed in the key of C minor with a tempo of 124 beats per minute. Gaga's voice ranges from the tonal nodes of B♭3 to E♭5 and the song follows a basic sequence of A♭–Fm7–Cm–B♭–Cm as its chord progression. Gaga had posted some of the lyrics of the song in February 2011, and next month she revealed more lyrics for "Judas" in the Google interview. Gaga also confirmed that the song was influenced by the Biblical Judas Iscariot. According to Popjustice, lyrically on the surface "Judas" is a song about being double-crossed and contemplating revenge, but being repeatedly drawn to awfulness. The middle eight of the song, with the lyrics "But in the cultural sense I just speak in future tense. Judas kiss me if offenced, or wear an ear condom next time", talks about Gaga being beyond the ability to redeem herself, in terms of the traditional views of what a woman is supposed to be. "But I don't want to redeem myself, because in the cultural sense I believe that I'm just before my time. And if you don't like it, wear an ear condom," she explained. The main portion of the song is about Gaga in private and the middle eight is about Gaga in public, two themes that are explored elsewhere on the parent album too.

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